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I don’t always include our reviews here, although they are generally very favorable to us. But Kathleen Christian’s “Curtain Call” reaction to The Princess and the Goblin was full of such superlatives that I could not resist reproducing it here. ————————- OF HEROES AND VILLAINS Curtain Call KATHLEEN CHRISTIAN, Whatzup!
I thoroughly enjoy sound design, and relish the challenge of finding appropriate incidental music for our plays. This time, however, I knew I needed to be on the same page with our choreographer, Kimberly Bronson. Fortunately, I know Kimberly to have great instincts for the dramatic power of music to
Those of us able to watch every performance of The Princess and the Goblin are delighted by the varying degrees of audience response, especially when children are present. The first Sunday matinee was particularly full of young and enthusiastic audience members, including my own three-year-old granddaughter. But it was not
After months of agonizing over what the goblins should look like, I think the finished product is great fun: I must emphasize (for parents who are wondering) that the goblins are funny, not scary. Lots of small children in our opening night audience would agree! Four goblin dancers and two
George MacDonald (1824 – 1905) was born in Huntley, Aberdeenshire, Scotland, the son of a farmer. Educated at Aberdeen and London, he was first a pastor and later a teacher, before turning to writing as a career. His prolific literary output includes some dozen fantasy novels, thirty realistic novels, numerous volumes
We have a first in this all for One production: there are more non-speaking than speaking roles in the show! Although this adaptation by Sandra Fenichel Asher was written with the intention of being simple enough to tour, with actors doubling roles, and puppets portraying the goblins, we are having
In a remote country house, the king’s young daughter, Princess Irene, is being guarded by her faithful servant Lootie and captain of the guard Sir Walter. This faithful adaptation by Sandra Fenichel Asher from the 19th century fantasy by George MacDonald, opens with young Irene frustrated by the extreme caution
It’s hard to believe that we’re less than a month from opening our next production! In a way, it feels as though we’ve barely gotten started, what with holidays and bad-weather cancellations. But on the other hand, we began work on this piece in September, when we
