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Dance and Music in SENSE & SENSIBILITY

S&S posterIf you’ve ever seen a screen adaptation of any of Jane Austen’s works, you may have noticed that dancing plays a significant part in the social life of her characters. Whether it’s Anne in Persuasion, who is considered an old maid and consequently is expected to play the piano while her younger cousins dance with the man she loves…or the drama of who dances with whom in Emma, an instance where dance really moves the plot along…or the younger Bennett sisters in Pride and Prejudice constantly clamoring to dance, or the tense conversation between Elizabeth and Darcy during several dances in that same novel…Austen uses dancing in dramatic, specific ways to advance plot and reveal character.

Sense and Sensibility is no exception, although it is not dancing per se which is the key to the London ballroom scene in Act 2.  Nonetheless, the dances need to be right, and there was only one place to turn:

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The cast of SENSE & SENSIBILITY

PR photo

Lydia Tomaszewski as Marianne (left) and Rebekah Fodrey as Elinor (right)

We are pleased to have a mix of afO regulars and fantastic new talent in our upcoming production. These twelve hard-working actors, all volunteers who come together three nights a week from other jobs or schooling, are having a wonderful time creating a play which will delight and uplift our audiences next month.

 

Here is the cast in alphabetical order:

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Producing SENSE & SENSIBILITY

S&S posterNext month, afO brings a beloved author’s work back to our stage. Jane Austen’s Emma was an audience favorite back in 2012. This time, we are presenting the area premiere of a lively new adaptation of Austen’s Sense & Sensibility.  Just how lively, you ask?

This stage play moves at a gallop, with five catty Gossips leading the way, commenting on scenes, moving the other actors into place, and taking a number of key roles themselves.

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