My Life as a Theatre Director, part 2
by Lauren E. Nichols Read Part 1 here Just months later, in the spring of 2005, I found myself in the director’s seat once more. This time, the play was one I discovered and fell in love with: William Gibson’s…
Director’s notes and commentary
by Lauren E. Nichols Read Part 1 here Just months later, in the spring of 2005, I found myself in the director’s seat once more. This time, the play was one I discovered and fell in love with: William Gibson’s…
Winnie-the-Pooh: A Dream of Honeyadapted from the A.A. Milne stories by Lauren E. Nichols To be presented in the PPG ArtsLab Black BoxApril 19-21 & 26-28, 2024 WHEN: Tuesday, October 24, 2023, 7:00 PMWHERE: afO offices, 2310 Weisser Park AvenueWHO: …
by Michael Wilhelm “You’ll never work in this town again.” That’s what they tell you in Hollywood if you don’t quite live up to their expectations. The truth is, there are all sorts of interesting jobs in that town. An…
by Lauren E. Nichols I did not always want to be a theater director. Those who have known me in the past couple of decades may find that surprising. But it’s true. My aspiration as a girl was to be…
by Lauren E. Nichols “For the one who was a slave when called to faith in the Lord is the Lord’s freed person; similarly, the one who was free when called is Christ’s slave.” (I Cor 7:22 NIV) It has been…
Our current production of A Peculiar People by Rick Najera gives me an opportunity to recount again a curious story of the persistence of theater memory. Around the year 2010, our friend Michael Wilhelm (actor, playwright, teacher, artist) found a playbill in his…
by Lauren Nichols I have to be honest and confess that I enjoy having a break from directing, especially when I can deputize such a capable guest director as Mary Beth Frank. One thing I have appreciated with our current…
As I drive to the afO office for the third time in four days, I reflect that I don’t recall the last time I was able to work on three distinct projects in such a short span of time. Over…
The use of understudies in community theater is a debated topic. There are directors who prefer to have understudies available in case illness or emergency were to make the principle actors unavailable. Others feel that understudies gets short changed because…