The Miraculous Journey of Edward Tulane is a gorgeous stage adaptation by Dwayne Hartford of Kate DiCamillo’s children’s novel. DiCamillo is the award-winning author of such diverse books as Because of Winn Dixie, The Tale of Despereaux and Flora and Ulysses.
The plot of …Edward Tulane is fairly simple: a china rabbit is separated from his owner, and is found in turn by: a fisherman and his wife, a hobo and his dog, and a poverty-stricken little boy and his dying sister. The premise of the story is a bit harder to articulate.
The Golden Age of British children’s literature refers to a remarkable period during which a vast number of western literature’s best-loved books were written. Consider that between 1900 and 1930:
Beatrix Potter wrote and illustrated her many picture books for young children, beginning with The Tale of Peter Rabbit.
A.A. Milne created Winnie the Pooh.
E. Nesbit wrote her wonderful children’s novels, including The Railway Children, Five Children and It, and The Enchanted Castle.
Frances Hodgson Burnett wrote A Little Princess, The Secret Garden and Little Lord Fauntleroy.
J.M. Barrie created Peter Pan.
And this list is not exhaustive at all. There was also an explosion of American children’s literature at around the same time: The Wizard of Oz, Rebecca of Sunnybrook Farm, The Call of the Wild and Pollyanna, to name a few.
The wonderful thing about all these books, to my mind, is that they are not written “down” to children, over-simplified and dripping with moral lessons. Rather, they are strong original stories which are amusing, engaging and often thought-provoking, but which are most appropriate to the genre (fairly new at the time) of children’s literature.
The first in a series of posts on the background of all for One’s The Secret Garden, which opens April 20, 2018. For tickets, call (260) 422-4226.
Who was the woman who gave the world two of its most beloved children’s classics? She was not perhaps quite what you might have expected.
Her books were all set in the British Isles, but she left England as a teen and did not return for some years. In fact, the last years of her life were spent on Long Island, where she is buried.
She wrote famously of little girls, but she bore only sons.
Her books focus on comfortably wealthy families, but she experienced a “riches to rags” life and only regained financial stability by long years of perseverance as a writer.
Her stories are full of lively and optimistic characters, but she suffered from depression on and off throughout her life.
DAVID: the Giant-Killing, Song- Singing Chosen King will receive its world premiere on afO's stage in the ArtsLab theater at 300 E. Main Street, from February 16 through 25, 2018. Here are some thoughts from playwright/composer/actor Sam Ward on this…
Introduction: A musical? Really? Things have been hopping at all for One behind the scenes! We moved to new corporate offices last September, and into a new theater in April. It is long past time to give you all a…